Very seductive theatrical publicity shot featuring Barbara Steele, "The Queen Of Italian Gothic Horror". This exquisite portrait was originally taken back in 1972 to promote her latest feature film.
Barbara Steele (born December 29th, 1937) is an English film actress known for starring in Italian Gothic horror films of the 1960s. She has been referred to as the "Queen of All Scream Queens" and "Britain's first lady of horror". She played the dual role of Asa and Katia Vajda in Mario Bava's landmark film Black Sunday (1960), and starred in The Pit and the Pendulum (1961), The Horrible Dr. Hichcock (1962), The Long Hair of Death (1964), and Castle of Blood (1964). Additionally, Steele had supporting roles in Federico Fellini's 8½ (1963), David Cronenberg's Shivers (1975), and Louis Malle's Pretty Baby (1978), and appeared on television in the 1991 TV series Dark Shadows.
She won a Prime-time Emmy Award for producing the American television miniseries War and Remembrance (1988–1989). Steele appeared in several films in the 2010s, including a lead role in The Butterfly Room (2012) and supporting role in Ryan Gosling's Lost River (2014). Steele guest starred in British television shows including the spy drama, Danger Man (aka Secret Agent) starring Patrick McGoohan in 1965. She made her American television debut in 1960 as Dolores in the "Daughter of Illusion" episode of the ABC series, Adventures in Paradise, starring Gardner McKay. In that same year, she was replaced by Barbara Eden in the Elvis Presley film Flaming Star after a disagreement with director Don Siegel. In 1961, she appeared as Phyllis in the "Beta Delta Gamma" episode of CBS's Alfred Hitchcock Presents. She also had an supporting role in Federico Fellini's 8½ (1963), and in 1966 appeared in the second-season episode of NBC's I Spy, "Bridge of Spies".
Steele returned to the horror genre in the later 1970s, appearing in three horror films: David Cronenberg's Shivers (a.k.a. They Came From Within) (1975), Piranha (1978), and The Silent Scream (1979). Steele served as associate producer of the TV miniseries, The Winds of War (1983), and was a producer for its sequel, War and Remembrance (1988), for which she shared the 1989 Emmy Award for Outstanding Drama/Comedy Special with executive producer Dan Curtis.
Steele was cast as Julia Hoffman in the 1991 remake of the 1960s ABC television series Dark Shadows. In 2010, she was a guest star in the Dark Shadows audio drama, The Night Whispers. In 2010, actor-writer Mark Gatiss interviewed Steele about her role in Black Sunday for his BBC documentary series A History of Horror. In 2012, Gatiss again interviewed Steele about her role in Shivers for his follow-up documentary, Horror Europa. In 2014, she appeared in Ryan Gosling's directorial debut, the drama-fantasy thriller film Lost River, in which she portrayed the character Belladonna in a supporting role.
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
