Exceptional theatrical publicity shot featuring a close-up of Katya Wyeth (Countess Mircalla Karnstein) with her bloody mouth wide open, revealing two large fangs, right after she just bit Damien Thomas (Count Karnstein) on his neck.
Twins of Evil (also known as Twins of Dracula) is a 1971 British horror film directed by John Hough and starring Peter Cushing, with Damien Thomas and the real-life identical twins and former Playboy Playmates Mary and Madeleine Collinson. It is the third (and final) film in the Karnstein Trilogy, based on the 1872 novella Carmilla by Sheridan Le Fanu. The film has the least resemblance to the novella and adds a witch-finding theme to the vampire story.
Much of the interest of the film revolves around the contrasting evil and good natures of two beautiful sisters, Frieda and Maria. Unlike the previous two entries in the series, this film contains only a brief lesbian element. The film was released in the U.S. as a double feature with Hands of the Ripper. Hammer was originally going to make a film called Vampire Virgins; however, producer Harry Fine saw a Playboy spread involving the Collinson twins and decided to make a film focusing on them. Ingrid Pitt was again offered the part of Countess Mircalla Karnstein, but refused.
One year after its release, Robert L. Jerome observed, "The film is done with Hammer's obvious care for details and a sobriety which creates the proper mood of unexpected evil in attractive, tranquil surroundings."
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
