Iconic publicity photograph featuring Peter Cushing (Baron Victor Frankenstein) drilling a hole into the top of George Pravda's (Frederick Brandt) skull, while Simon Ward (Dr. Karl Holst) firmly holds his head in place.
Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorizes those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.
The scene where Frankenstein rapes Anna was filmed over the objections of both Peter Cushing and Veronica Carlson, and director Terence Fisher, who halted it when he felt enough was enough. It was not in the original script, but the scene was added at the insistence of Hammer executive James Carreras, who was under pressure to keep the American distributors happy. The scenes featuring Thorley Walters as Inspector Frisch were also late additions to the original script; they have been described as unnecessary, adding an unwelcome element of comedy into the suspenseful story and also making the film too long.
Variety called the film "a good-enough example of its low-key type, with artwork rather better than usual (less obvious backcloths, etc.) a minimum of artless dialogue, good lens work by Arthur Grant and a solid all round cast." The Monthly Film Bulletin called it "the most spirited Hammer horror in some time. The crudities still remain, of course, but the talk of transplants and drugs seem to have injected new life into the continuing story of Baron Frankenstein."
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
