THE CABIN IN THE WOODS featuring sexy model Kate Cameron highlights our fearless “final girl”. The classic scream queen in her element appears to have taken down all her evil slasher foes and has their heads as her mantel collection. The question them becomes who was really the hunter and who was the hunted? 

Kiss Me Monster is the exclusive online retailer for these original museum quality prints. The vivid colors and quality is simply breathtaking and unlike anything you have ever seen before! To maintain long term value, scarcity and overall collectability, only 200 of these stunning pinups will be printed and sold to individual collectors around the world. So, don't procrastinate and order your favorite ladies soon, as once they're sold out that's it for good!

 

NOT BAD FOR A HEROINE features Sigourney Weaver one of the true first empowered female characters in film who wasn’t afraid to fight back. Ripley stands strong in this stand-off with the Queen Bitch herself and her deadly warriors waiting to attack. But it doesn’t seem to worry our monster killer as she seems almost carefree in this situation.   

Kiss Me Monster is the exclusive online retailer for these original museum quality prints. The vivid colors and quality is simply breathtaking and unlike anything you have ever seen before! To maintain long term value, scarcity and overall collectability, only 200 of these stunning pinups will be printed and sold to individual collectors around the world. So, don't procrastinate and order your favorite ladies soon, as once they're sold out that's it for good!

 

THE ONE AND ONLY features the iconic Cassandra Peterson as Elvira Mistress Of The Macabre in a seductive pose and wearing next to nothing as she holds her whib tight. In pure dominatrix fashion, this raven headed beauty knows how to make you suffer for your sins. The question then becomes, will YOU beg for more?

Kiss Me Monster is the exclusive online retailer for these original museum quality prints. The vivid colors and quality is simply breathtaking and unlike anything you have ever seen before! To maintain long term value, scarcity and overall collectability, only 200 of these stunning pinups will be printed and sold to individual collectors around the world. So, don't procrastinate and order your favorite ladies soon, as once they're sold out that's it for good!

 

 

    A KISS ME MONSTER EXCLUSIVE! The Award Winning DIABOLIQUE magazine is NOT available for sale in any retail outlets or comic shops. You can ONLY purchase DIABOLIQUE here! There are only a limited amount of copies available for sale, so don't wait any longer. Order the issues you want now before they are sold out for good! Even better yet... collect them all. 

Inside this issue:

MARQUIS DE SADE’S JUSTINE AND EUGENIE (BLU-RAY REVIEW)
Joe Yanick reviews Blue Underground’s latest releases of Jess Franco’s Marquis De Sade’s Justine and Eugenie on Blu-ray.

A WICKER MAN’S MAN
Jennifer Blair examines Christopher Lee’s iconic role as Lord Summerisle in Robin Hardy’s 1973 folk horror masterpiece, The Wicker Man.

THE DEVIL MADE US WATCH IT: HORROR OF DRACULA
Alexandra West’s column remembers Terence Fisher’s 1958 Hammer horror classic, Horror of Dracula.

THE LIFE-BLOOD OF DRACULA
James Gracey explores the sex, sin, and sensations of Christopher Lee’s unique spin on Dracula and the vampire archetype.

COUNT PERVERSION, THE WHIP AND THE LIVING DEAD
Kat Ellinger champions Christopher Lee’s oft-overlooked mainland European genre films, from Uncle Was A Vampire to Horror Express and everything in between.

CHRISTOPHER LEE: METALHEAD
Joseph Schafer speaks with Luca Turilli of the symphonic power metal band, Rhapsody of Fire, on Christopher Lee’s headfirst dive into the world of Heavy Metal.

THE NIGHT CHRISTOPHER LEE SANG TO ME
Author of British Gothic Cinema, Barry Forshaw, recalls a personal encounter with Christopher Lee, and reflects on the actor’s enduring influence.

BLU MAGICK
Kat Ellinger’s column reviews the hottest vintage Euro-Horror Blu-Ray releases.

LIFE AFTER UNDEATH
Max Weinstein tells the story of Christopher Lee’s pivotal move from Hammer to Hollywood to reinvent his public persona. (27 May 1922 – 7 June 2015)

    A KISS ME MONSTER EXCLUSIVE! The Award Winning DIABOLIQUE magazine is NOT available for sale in any retail outlets or comic shops. You can ONLY purchase DIABOLIQUE here! There are only a limited amount of copies available for sale, so don't wait any longer. Order the issues you want now before they are sold out for good! Even better yet... collect them all. 

    In case you’ve forgotten, Diabolique means “of the Devil.” So what better way to usher in our 24th issue than with the Devil’s horns being flashed by our cover boy, the enigmatic genius Alejandro Jodorowsky? Inside, our Editor-in-Chief, Rondo-Award winner Max Weinstein, sits down for an exclusive chat with none other than ‘Jodo’ himself to pick the brain of this man, myth, and legend. Then, consider our Jodo coverage a gateway drug to our historical accounts on both the life and Satanic work of Mexican surrealist filmmaker, Juan López Moctezuma, and the influence of The Occult in horror culture and society at large.

   And, in keeping with the chaos of our modern times, our Managing Editor, Joe Yanick, and Web Editor, Jake Whritner, each deliver fun and thought-provoking coverage of writer-director David Robert Mitchell’s It Follows (featuring an interview with Mitchell) and the explosive trend of Internet Horror.

   A KISS ME MONSTER EXCLUSIVE! The Award Winning DIABOLIQUE magazine is NOT available for sale in any retail outlets or comic shops. You can ONLY purchase DIABOLIQUE here! There are only a limited amount of copies available for sale, so don't wait any longer. Order the issues you want now before they are sold out for good! Even better yet... collect them all. 

   This spring, Diabolique is both your fever and your cure! Our 23rd issue lays Medical Horror on the operating table for dissection and holds out its vital organs for all to see. Inside, we break down the themes and screams of Eyes Without A Face and The Skin I Live In, and share our exclusive interviews with “Twisted Twins” Jen and Sylvia Soska and exploitation legend Jack Hill, in which they examine their bodies of work.

   Rondo Award-nominee and Editor-in-Chief, Max Weinstein, and our new Web Editor, Jake Whritner, each give unique treatments to H.P. Lovecraft’s “Herbert West-Reanimator,” and its cinematic adaptation, Re-Animator. And while the doctors are in(sane) in our takes on The Human Centipede trilogy and The Abominable Dr. Phibes, our two new columns, Fright From the Fringe and Blu Magick, deliver the cinephilic prescription you’ve long been searching for.

Diabolique 23 will see you now, and it’s sick in the head!

Famous publicity photo. Katya Wyeth (center) kneels on Mircalla's tomb. She is flanked on both sides by the nude twins, Mary and Madeleine Collinson. In the foreground are Cathy Howard and Luan Peters. Twins of Evil. Hammer Films, 1971.

Caron Gardner as the Burgomaster's Wife. The Evil of Frankenstein. Hammer Films, 1964.

Veronica Carlson and Christopher Lee celebrate his May 27 birthday on the Pinewood set. Dracula Has Risen From the Grave. Hammer Films, 1968.

Veronica Carlson publicity photo shoot. Dracula Has Risen From the Grave. Hammer Films, 1968.

Publicity shot of Yutte Stensgaard.

Frankenstein (Peter Cushing) chastises Doctor Hertz (Thorley Walters) for allowing Christina (Susan Denberg) to leave the house, so soon after her 'resurrection.' Frankenstein Created Woman. Hammer Films, 1967.

Director Terence Fisher rehearses a scene with Susan Denberg and Barry Warren in which Christina slaughters the young Karl with a meat cleaver. Frankenstein Created Woman. Hammer Films, 1967.

Martine Beswick, Claudine Auger and Luciana Paluzzi proudly show off thier perfect 10 bodies, walking on a beach in Nassau, Bahamas, while taking a break from the hectic filming schedule to soak up the sun and do little promotion for their new Bond movie, 'Thunderball' (1965).

Ursula Andress. Swiss bombshell who made film history when she emerged from the sea, in her white bikini, in the first James Bond thriller, 'Dr. No' (1962). She also starred as the ancient Ayesha in Hammer's 'She' (1965).

Eunice Gayson as Margaret. Revenge of Frankenstein. Hammer Films, 1958.

Barbara Steele, 1972.

Jane Birkin, British-born actress, whose notable film appearances include, Don Sharp's 'Dark Places' (1973), and Antonio Margheriti's 'La Morte Negli Occhi del Gatto' (1973).

Susan Pelley (Pippa Steel) seduces her mysterious new roommate Mircalla (Yutte Stensgaard). Lust for a Vampire. Hammer Films, 1971.

British pre-production flier. Twins of Evil. Hammer Films, 1971.

Isabelle Adjani. Beautiful, French-born actress, who starred in Roman Polanski's 'The Tenant' (1976), and Werner Herzog's 'Nosferatu: Phantom der Nacht' (1979).