BARBARA STEELE THE HORRIBLE DR. HICHCOCK (1962) Skull Italian Gothic Horror Photo
Limited Edition Photograph (learn more)
In stock
Barbara Steele appears as Cynthia Hichcock in THE HORRIBLE DR. HICHCOCK (1962), captured in this striking color theatrical publicity photograph wearing an elegant dark gown and long white gloves. Pulling back the bed covering to reveal a human skull resting upon the pillow, Steele is framed within an extraordinarily atmospheric Gothic interior that perfectly reflects the macabre character of the film.
BARBARA STEELE THE HORRIBLE DR. HICHCOCK (1962) Skull Italian Gothic Horror Photo
Directed by Riccardo Freda and written by Ernesto Gastaldi, THE HORRIBLE DR. HICHCOCK was originally released in Italy as L’ORRIBILE SEGRETO DEL DR. HICHCOCK. Set in Victorian London and starring Steele alongside Robert Flemyng, the film became one of the most provocative and visually distinctive entries in the Italian Gothic horror cycle of the early 1960s.
Carefully restored and professionally printed from archival source material, this museum-quality photograph is a distinctive collectible for admirers of Barbara Steele, THE HORRIBLE DR. HICHCOCK, Riccardo Freda, Italian Gothic horror, macabre cinema, and classic European horror.
The original script did not contain the necrophilia that is in the film, which Gastaldi commented that he did not remember why he added it, suggesting that "perhaps one of the associates asked for something harder, more macabre". Freda later claimed that the story was his idea, proclaiming that "It is entirely my idea.
I nurtured it for a long time but it is Ernesto Gastaldi, a very good scenarist, who shaped it into form." Gastaldi commented on this, saying that when he met Freda, they did not discuss the film with him and that producer Ermanno Donati gave Freda the script, saying "Let's see if you have the balls to shoot this stuff, it's about corpses!"
Gastaldi stated that Freda did not even read the script and replied "As long as I get paid, I'm shooting even the phone book." The Monthly Film Bulletin declared the film "consistently gripping and enjoyable", despite numerous borrowing from numerous sources, including Vampyr, Jane Eyre, Rebecca and Strange Case of Dr. Jekyll and Mr. Hyde; the "guiding hands of director Riccardo Freda and cameraman Raffaelle Masciocchi are unmistakable" noting the use of colour, light, editing and "visually striking compositions." The film's co-star Barbara Steele took 10 days off the set of Federico Fellini's 8½ to perform her role in the film.
Product Enquiry
Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
Related products
-
Susan Denberg – Frankenstein Created Woman (1967) | Alluring Publicity Shot | Hammer Glamour | Fine Art Photo
$25.00 -
Ingrid Pitt – The Vampire Lovers (1970) | Carmilla Karnstein, Bloody Lips | Hammer Glamour | Fine Art Photo
$25.00 -
Ursula Andress – Dr. No (1962) | Candid Bikini Shot, On Location | James Bond 007 | Fine Art Photo
$25.00 -
Colin Clive, Dwight Frye, Mae Clarke – Frankenstein (1931) | Spectacular Laboratory Scene | Universal Monsters | Fine Art Photo
$25.00
