Dirty Harry (1971) BWSM-11

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Exceptional theatrical publicity shot featuring Clint Eastwood (Inspector Harry Callahan). In this scene, Harry finds Scorpio at Kezar Stadium and chases the suspect, shooting him in the leg. Harry then tortures Scorpio into confessing where Ann Mary is being held, but the police only find her corpse.

Dirty Harry is a 1971 American neo-noir action thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan. The film drew upon the real-life case of the Zodiac Killer as the Callahan character seeks out a similar vicious psychopath.

Dirty Harry was a critical and commercial success and set the style for a whole genre of police films. It was followed by four sequels: Magnum Force in 1973, The Enforcer in 1976, Sudden Impact in 1983, and The Dead Pool in 1988. In 2012, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, and aesthetically significant."

Jay Cocks of Time praised Eastwood's performance as Dirty Harry, describing him as "giving his best performance so far, tense, tough, full of implicit identification with his character." Neal Gabler also praised Eastwood's performance in the film: "There's an incredible pleasure in watching Clint Eastwood do what he does, and he does it so well." Film critic Roger Ebert gave the film three stars out of four, calling it "very effective at the level of a thriller" but denouncing its moral position as "fascist". Gene Siskel gave the film a full four out of four stars and praised it as "one of the great police thrillers of motion picture history", though he too thought that the film's message was "dangerous".

Roger Greenspun of The New York Times wrote that "what makes Dirty Harry worth watching no matter how dumb the story, is Siegel's superb sense of the city, not as a place of moods but as a theater for action." Kevin Thomas of the Los Angeles Times called it "a high-style film with lowbrow appeal, a movie after which you may dislike yourself for liking it as much as you do."

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