Rare studio publicity shot featuring Hammer Film Productions Personnel receiving the Queen's Award to Industry. Executives, directors, production heads, staff and guests, pose together for publicity photos with Peter Cushing and Christopher Lee, outside the Green Room at Pinewood Studios on Wed, May 29th, 1968.
In the back row, Christopher Lee stands next to Brian Lawrence. Also in the back are James Carreras and Freddie Francis. Arthur Banks holds the Queen's Award in the front row standing. To his left is Anthony Hinds. Behind his right shoulder is Terence Fisher. Behind Fisher's right shoulder is Roy Skeggs. Sitting in the front row left are Anthony Nelson Keys and Peter Cushing.
Dracula Has Risen from the Grave is a 1968 British supernatural horror film directed by Freddie Francis and produced by Hammer Film Productions. It is the fourth entry in Hammer's Dracula series, and the third to feature Christopher Lee as Count Dracula, the titular vampire. The film stars Rupert Davies as a clergyman who exorcises Dracula's castle, and in doing so, unwittingly resurrects the Count back from the dead. Dracula Has Risen from the Grave also stars Veronica Carlson. It was followed by Taste the Blood of Dracula in 1970. Audiences in both Britain and the U.S. applauded the movie, which became Hammer's highest-grossing film.
This Hammer Dracula production was shot at Pinewood Studios situated in Iver Heath, Buckinghamshire. Missing are the approach road, coach path and moat seen in front of Castle Dracula in Dracula (1958) and Dracula: Prince of Darkness (1966). Those films were made at Bray Studios. Longtime Hammer director Terence Fisher was originally scheduled to direct ‘’Dracula Has Risen from the Grave’’ but broke his leg in a traffic related accident. Freddie Francis was tapped as his replacement.
This film marked the third entry in the company’s Dracula series and the first not to be directed by Fisher. The film was photographed by Arthur Grant using colored filters belonging to director Freddie Francis, also a cameraman, who used them when photographing The Innocents (1961). Whenever Dracula (or his castle) is in a scene, the frame edges are tinged crimson, amber and yellow. The Monthly Film Bulletin of the UK was very positive, writing that the film was "rather short on shock sequences" but had "a nice gory opening" and "a suitably horrific finale." Audiences in both Britain and the U.S. applauded the movie, which became Hammer's highest-grossing film.
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