Very sensual theatrical publicity shot featuring Sylvia Kristel (Emmanuel) and blond Catherine Rivet. Here, Catherine is laying on-top as her supple breast sporting an erect nipple dangles precariously over Sylvia's moist lips, ready to suck it slowly. PARAMOUNT PICTURES description: (EM -11-11) Blonde Catherine Rivet explores every passion with Sylvia Kristel in Paramount Pictures' "Emmanuel The Joys Of A Woman," a Trinacra Orphee Arts ParaFrance co-production about a woman's odyssey toward total sensual freedom.
Emmanuelle 2 (aka Emmanuelle, The Joys of a Woman, original title Emmanuelle: L'antivierge) is a 1975 French soft-core erotica film directed by Francis Giacobetti and starring Sylvia Kristel. The screenplay was written by Bob Elia and Francis Giacobetti. It is a sequel to the 1974 film Emmanuelle which was based on the novel Emmanuelle: The Joys of a Woman by Emmanuelle Arsan, and it loosely follows the plot of the novel's print sequel. The music score is by Francis Lai. Playing the small role of a masseuse is actress Laura Gemser, who would go on to play "Black Emanuelle" in her own series of erotic films. Emmanuelle is travelling by ship to join her husband, Jean, in Hong Kong. To her annoyance there are no cabins available and she has to sleep in an all-female dorm.
During the night, she is awakened by the girl in the neighboring bunk, who tells her that she is afraid of sleeping in a room full of women because she was raped by three Filipino girls while at boarding school in Macao—she concludes by confessing that she enjoyed it. Emmanuelle recognizes this as an invitation and the two women have sex. Arriving in Hong Kong, Emmanuelle is reunited with Jean and, after a couple of attempts, manages to have passionate reunion sex. Emmanuelle slips into the life of the Hong Kong expat community. She becomes friends with Anna Maria, the young daughter of Peter, one of Jean's friends.
The two swap sexual confidences and Anna Maria is forced to admit that she is still a virgin. Emmanuelle schemes to remedy this. Over the course of the film, Emmanuelle has a series of sexual encounters. She has sex with Anna Maria's dance teacher while viewing an erotic cartoon on a peep show machine, and with a tattooed man in the locker room of the polo club. She experiences vivid sexual fantasies during an acupuncture session, and also masquerades as a prostitute in the Jade Garden, a notorious Hong Kong brothel, where she has sex with a group of sailors (told in flashback to Jean).
Together with Jean and Anna Maria she visits a bathhouse, where they have steamy, full body contact massages by a trio of Thai woman. Emmanuelle, Jean, and Anna Maria take a trip to Bali. When Jean emerges from the shower that night he finds Emmanuelle and Anna Maria waiting for him on the bed. Emmanuelle undresses Anna Maria and makes love to her, before sitting back and smiling approvingly while Jean takes the young woman's virginity.
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
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Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
