Fantastic publicity shot featuring Klaus Kinski (as would-be rubber baron, Brian Sweeney Fitzgerald), an Irishman known in Peru as Fitzcarraldo. Here, he's posing in his white suit with one leg resting on top of a large piece of wood.
Fitzcarraldo is a 1982 West German epic adventure-drama film written, produced and directed by Werner Herzog, and starring Klaus Kinski as would-be rubber baron, Brian Sweeney Fitzgerald, an Irishman known in Peru as Fitzcarraldo, who is determined to transport a steamship over a steep hill to access a rich rubber territory in the Amazon Basin. The film is derived from the historic events of Peruvian rubber baron Carlos Fitzcarrald and his real-life feat of transporting a disassembled steamboat over the Isthmus of Fitzcarrald.
The film had a troubled production, chronicled in the documentary Burden of Dreams. Herzog had his crew attempt to manually haul the 320-ton steamship up a steep hill, leading to three injuries. The film's original star Jason Robards became sick halfway through filming, so Mr. Herzog hired Kinski, with whom he had previously clashed violently during production of Aguirre, the Wrath of God, Nosferatu the Vampyre and Woyzeck. Their fourth partnership fared no better. When shooting was nearly complete, the chief of the Machiguenga tribe who were used extensively as extras, asked Herzog if they should kill Kinski for him. Herzog declined.
The film holds a 77% Fresh rating on the movie aggregate Rotten Tomatoes based on 30 reviews, with an average rating of 7.5 out of 10. The movie critic Roger Ebert gave the movie four stars in his original 1982 review; he added it to his "Great Movie" collection in 2005. Ebert compared it to films like Apocalypse Now and 2001: A Space Odyssey, noting that "we are always aware both of the film, and of the making of the film" and concluding that "the movie is imperfect, but transcendent".
The film won the German Film Prize in Silver for Best Feature Film. The film was nominated for the BAFTA Award for Best Foreign Film, the Palme d'Or award of the Cannes Film Festival, and the Golden Globe Award for Best Foreign Language Film. Mr. Herzog won the award for Best Director at the 1982 Cannes Film Festival. The film was selected as the West German entry for the Best Foreign Language Film at the 55th Academy Awards, but did not make the shortlist of nominees.The Japanese filmmaker Akira Kurosawa cited Fitzcarraldo as one of his favorite films.
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
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We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
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Framing grade clear acrylic is shatter resistant and lightweight.
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With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
