Incredible studio concept art featuring Mechani-Kong in front of the Tokyo Tower firing his laser beam at King Kong while he's holding a woman with destruction and mayhem all around them.
King Kong Escapes (Japanese: キングコングの逆襲, Hepburn: Kingu Kongu no Gyakushū, lit. 'King Kong's Counterattack') is a 1967 kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film was a Japanese–American co-production between Toho and Rankin/Bass. The film is loosely based on Rankin/Bass' series, The King Kong Show, and was the second and final Toho-produced film featuring King Kong. King Kong Escapes was released in Japan on July 22, 1967, and released in the United States on June 19, 1968. It is the fourth entry in the King Kong franchise.
The July 15, 1968, issue of Film Bulletin, however, gave it a more positive review, saying, "Grown-ups who like their entertainments on a comic-strip level will find this good fun and the Universal release (made in Japan) has plenty of ballyhoo angles to draw the school-free youngsters in large numbers."
The story is partly a remake of the animated TV series (itself a retelling of the original 1933 film) about a tamed Kong who is befriended by a boy and directed to fight for the forces of good.
That concept (minus the boy) is combined with a mad scientist story with elements from the then-popular spy film genre. The sinister Dr. Who is patterned after James Bond villains Dr. Julius No and Ernst Stavro Blofeld. His partner, Madame Piranha, is an Asian spy played by Mie Hama, fresh from the Bond film You Only Live Twice (1967). Submarine commander Carl Nelson is similar to Admiral Nelson, commander of the submarine Seaview in Voyage to the Bottom of the Sea, a series that also featured giant monsters and stories about international espionage.
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
