Visually stunning theatrical publicity far shot featuring Rosalba Neri (Sara Bay as Dr. Tania Frankenstein) sitting on a small window ledge in her room behind three large stained glass windows with Gothic designs.
Lady Frankenstein is a 1971 Italian horror film directed by Mel Welles and written by Edward di Lorenzo. It stars Rosalba Neri (under the pseudonym Sara Bey), Joseph Cotten, Mickey Hargitay and Paul Müller. Lady Frankenstein was distributed theatrically in Italy by Alexia on October 22nd, 1971. It grossed a total of 139,683,000 Italian lire domestically, a performance Curti declared "mediocre". It was released in the United States in March 1972 by New World Pictures in a version that was ten minutes shorter than the Italian prints, with cuts that removed expository scenes but left its violence and nudity intact.
In Australia, Lady Frankenstein was released by Welles and his then-business partner Richard Lewellen, a former colleague of exploitation film producer Kroger Babb, as a segment of their theatrical production Orgy of Evil. The performance section of the program, which combined spook show conventions with Grand Guignol elements, starred Welles as Satan's Prime Minister, and featured a series of illusions created with props purchased from Abbott's Magic Novelty Company that culminated in a statue of Satan coming to life to terrorize the audience; after an intermission, the film would be screened.
The show featured choreography by Anita Ardell, production design by William Hutchinson, and an original score by Tommy Tycho. The world premiere for Orgy of Evil was set to take place at the Metro Theatre in Sydney on July 6th, 1973, but rolling blackouts forced it to be pushed back by a week to July 13th. Due to financing difficulties and protests from religious groups, Orgy of Evil lasted for only a handful of performances, ending Welles' partnership with Lewellen. In his analysis of the film, Louis Paul described the film as "a hybrid of the 1970s Hammer horror films' infatuation with nudity and sadism and the golden age of Italian horror's Gothic period."
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
