L’orribile segreto del Dr. Hichcock (1962) – FRC 06

Limited Edition Photograph (learn more)

In stock

Choose Print Size *

Please allow for slight cropping variation between sizes.

Want it framed?

Select your desired frame, matte, and plexiglass.

Order total:

Stunning theatrical publicity shot featuring "The Queen Of Italian Gothic Horror" Barbara Steele (Cynthia Hichcock) looking through an oval glass window frantically trying to open the wooden door.

The Horrible Dr. Hichcock (Italian title: L'Orribile Segreto del Dr. Hichcock, literally The Horrible Secret of Dr. Hichcock) is a 1962 Italian horror film, directed by Riccardo Freda and written by Ernesto Gastaldi. The film stars Barbara Steele and Robert Flemyng. The story is set in 1885 and concerns Dr. Bernard Hichcock (Robert Flemyng), a necrophiliac whose "horrible secret" of the title involves drugging his wife, Margaretha (Maria Teresa Vianello), for sexual funeral games. One day he accidentally administers an overdose of a new drug which slows the heart rate and thinks he has killed her. After burying her in a crypt, he leaves London.

Twelve years later, he remarries and returns to his old home. His new wife, Cynthia (Barbara Steele), starts to believe that she sees Margaretha around the house. After Cynthia falls victim to Dr. Hichcock's old parlor games, she suspects he is trying to kill her, but she finds that the truth is much worse. Having realized that Margaretha is still alive but looking haggard from her ordeal, Dr. Hichcock plans to kill Cynthia and use her blood to restore Margaretha's beauty.

The original script did not contain the necrophilia that is in the film, which Gastaldi commented that he did not remember why he added it, suggesting that "perhaps one of the associates asked for something harder, more macabre". Freda later claimed that the story was his idea, proclaiming that "It is entirely my idea. I nurtured it for a long time but it is Ernesto Gastaldi, a very good scenarist, who shaped it into form." Gastaldi commented on this, saying that when he met Freda, they did not discuss the film with him and that producer Ermanno Donati gave Freda the script, saying "Let's see if you have the balls to shoot this stuff, it's about corpses!"

Gastaldi stated that Freda did not even read the script and replied "As long as I get paid, I'm shooting even the phone book." The Monthly Film Bulletin declared the film "consistently gripping and enjoyable", despite numerous borrowing from numerous sources, including Vampyr, Jane Eyre, Rebecca and Strange Case of Dr. Jekyll and Mr. Hyde; the "guiding hands of director Riccardo Freda and cameraman Raffaelle Masciocchi are unmistakable" noting the use of colour, light, editing and "visually striking compositions." The film's co-star Barbara Steele took 10 days off the set of Federico Fellini's 8½ to perform her role in the film.

Product Enquiry

Kodak Professional Endura Paper

Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.

Archival Matte Paper

Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.

Giclee William Turner Paper by Hahnemühle

The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.

  • Giclee prints use very expensive archival pigmented inks.
  • Highest level of color gamut available in printing (12 color printing).
  • Exceptional black & white printing.
  • Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
  • We ONLY use professional grade fine art and photo paper that resist yellowing and aging.

Framing

We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.

Matting

We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.

Glazing (Acrylic Glass)

We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.

Premium Clear

Framing grade clear acrylic is shatter resistant and lightweight.

Reflection Control

With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.

Conservation Clear

Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.

Conservation Reflection Control

Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.