SVEN NYKVIST – THE TENANT (1976) Oversized Bedroom Set Wide View Production Design Behind-the-Scenes Photo

Limited Edition Photograph (learn more)

In stock

Choose Print Size *

Please allow for slight cropping variation between sizes.

Want it framed?

Select your desired frame, matte, and plexiglass.

Order total:

Sven Nykvist is captured with three production personnel inside the extraordinary oversized bedroom set created for Roman Polanski’s THE TENANT (1976) in this revealing wide-view black-and-white behind-the-scenes photograph. The enormous bed, towering windows, enlarged doorway, furniture and expansive floor space surround the four men, whose comparatively small scale makes the deliberately exaggerated proportions of the nightmare environment immediately apparent. The wider composition is especially valuable because it exposes far more of the practical set construction than the tighter companion photograph.

Directed by Roman Polanski with cinematography by Sven Nykvist, THE TENANT stars Polanski as Trelkovsky alongside Isabelle Adjani, Melvyn Douglas, Jo Van Fleet and Shelley Winters. Pierre Guffroy served as production designer, with Claude Moesching and Albert Rajau as art directors, and the apartment building and interiors were extensively reconstructed at the Épinay studios to permit Polanski precise control over camera movement, scale and manipulated perspective. The production’s enlarged bedroom elements visually transform Trelkovsky’s surroundings into a nightmarish environment as his psychological stability collapses.

Carefully restored from original studio-issued archival material and professionally lab-developed, this museum-quality photograph is presented uncropped, preserving the complete image area contained in the archival material. The expansive view of the giant bedroom, visible production personnel and unusually clear documentation of Guffroy’s production design make this a particularly significant image for THE TENANT, Sven Nykvist, Roman Polanski, cinematography, practical set-design and filmmaking-history collectors.

Product Enquiry

Kodak Professional Endura Paper

Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.

Archival Matte Paper

Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.

Giclee William Turner Paper by Hahnemühle

The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.

  • Giclee prints use very expensive archival pigmented inks.
  • Highest level of color gamut available in printing (12 color printing).
  • Exceptional black & white printing.
  • Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
  • We ONLY use professional grade fine art and photo paper that resist yellowing and aging.

Framing

We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.

Matting

We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.

Glazing (Acrylic Glass)

We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.

Premium Clear

Framing grade clear acrylic is shatter resistant and lightweight.

Reflection Control

With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.

Conservation Clear

Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.

Conservation Reflection Control

Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.

Sean Connery Framed on Wall
Photo Developing
Archival Framing Technicians
Archival Photo Technicians
Archival Framing Technicians
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.