Exceptional publicity shot taken in front of the iconic London bridge featuring the cast and all beautiful women starring in The Brides Of Fu Manchu (l to r): Yvonne Ekman; Anje Langstraat; Grete-Lill Henden; Katarina Quest; Heinz Drache; Christine Rau; Christopher Lee; Gaby Schar; Evelyne Dheliat; Daniele Defrere and Jeannette Napper
The Brides of Fu Manchu is a 1966 British/West German Constantin Film co-production adventure crime film based on the fictional Chinese villain Dr. Fu Manchu, created by Sax Rohmer. It was the second film in a series, and was preceded by The Face of Fu Manchu. The Vengeance of Fu Manchu followed in 1967, The Blood of Fu Manchu in 1968, and The Castle of Fu Manchu in 1969. It was produced by Harry Alan Towers for Hallam Productions. Like the first film, it was directed by Don Sharp, and starred Christopher Lee as Fu Manchu. Nigel Green was replaced by Douglas Wilmer as Scotland Yard detective Nayland Smith.
In 1924, Dr. Fu Manchu, his army of dacoits and his vicious daughter Lin Tang are kidnapping the daughters of prominent scientists and taking them to his hidden base in the Atlas Mountains, where he demands that their fathers help him to build a device that transmits blast waves through a radio transmitter, which he intends to use to take over the world. He plans to keep (even wed) the girls in question. But Dr. Fu Manchu's archenemy, Nayland Smith of Scotland Yard, is determined not to let that happen.
Sharp recalled producer Harry Alan Towers used the film to showcase "young and beautiful actresses". It was shot at Bray Studios (UK). Nigel Green was not available to repeat his performance as Nayland Smith so he was replaced by Douglas Wilmer. Sharp recalled filming went "smoothly but already the signs were there that" Towers could make Fu Manchu movies without having to "worry too much because the stories were okay. Well, there was more to making the movies than that."
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Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
