Very atmospheric theatrical publicity shot featuring Christopher Lee (Count Dracula) sitting in an old Gothic chair discussing important matters with Frederick Williams (Jonathan Harker) as he eats some grapes from a large metal bowl with assorted fruit.
Count Dracula (German: Nachts, wenn Dracula erwacht, lit. 'At night, when Dracula awakens') is a 1970 Gothic horror film directed by Jesús Franco, based on the novel Dracula by Bram Stoker. It stars Christopher Lee, Herbert Lom and Klaus Kinski. Although Count Dracula stars Lee in the title role, it is not a Hammer production like his other Dracula films, being produced instead by Harry Alan Towers. Klaus Kinski, who would play Dracula himself nine years later in Nosferatu the Vampyre, is also featured in the film as Renfield. Count Dracula was advertised as the most faithful adaptation of Bram Stoker's novel.
Among other details, it was the first film version of the novel in which Dracula begins as an old man and becomes younger as he feeds upon fresh blood. The film was shot at the Tirrenia Studios and on location in Spain. The film's sets were designed by the art director Karl Schneider. A scene featuring taxidermied animals that are reanimated—implicitly under Dracula's command—was reportedly improvised by Franco, and was accomplished by out-of-frame stagehands turning the animals' bodies towards the camera. Robert Firsching of The New York Times wrote, "This doggedly faithful adaptation is plodding and dull. Even Christopher Lee (in an uncharacteristically weak performance as Dracula), Klaus Kinski (as the mad Renfield), and seven credited screenwriters cannot make this confused, distant film worthwhile.
Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama." Brett Cullum of DVD Verdict wrote, "For curious Dracula fans, Jess Franco's Count Dracula is a neat find. It's a stellar cast working under a low budget, and it comes off entertaining if not a classic. It's a B-movie treatment at best, but ... Lee comes off fiery and committed to making this Count one that will be noticed." Brian Lindsey of Eccentric Cinema wrote, "Upon weighing the film's pros and cons, Count Dracula emerges a substantially flawed film.
But I can still recommend it to any fan of Lee, Franco, Miranda, and even of Stoker's novel." George R. Reis of DVD Drive-In wrote, "Count Dracula is flawed in many ways, but for fans of Gothic horror, it's still irresistible ... Barcelona naturally allows for some truly handsome scenery and an appropriate castle for Dracula to dwell in, and the performances of the international cast are above average."
Product Enquiry
Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.
