VALERIE LEON BLOOD FROM THE MUMMY’S TOMB (1971) Black Nightgown Hammer Glamour Horror Publicity Photo

Limited Edition Photograph (learn more)

In stock

Choose Print Size *

Want it framed?

Select your desired frame, matte, and plexiglass. Max framing size is 24x24.

Order total:

Valerie Leon appears as Margaret Fuchs and Queen Tera in this striking color theatrical publicity photograph from BLOOD FROM THE MUMMY'S TOMB (1971). Wearing an elegant black nightgown and posed on an ornate antique bench, Leon creates one of the production’s memorable glamour portraits, showcasing the commanding screen presence that made her an enduring favorite among Hammer Horror collectors.

VALERIE LEON BLOOD FROM THE MUMMY'S TOMB (1971) Black Nightgown Hammer Glamour Horror Publicity Photo

Produced by Hammer Film Productions and loosely adapted from Bram Stoker’s THE JEWEL OF SEVEN STARS, BLOOD FROM THE MUMMY'S TOMB provided Leon with a rare leading role as both Margaret Fuchs and the ancient Egyptian Queen Tera. Also starring Andrew Keir and James Villiers, the film became a distinctive entry in Hammer’s early-1970s supernatural horror cycle.

Carefully restored and professionally printed from archival source material, this museum-quality photograph is a distinctive collectible for admirers of Valerie Leon, BLOOD FROM THE MUMMY'S TOMB, Hammer Horror, Queen Tera, classic British horror, and vintage glamour photography.

Wicking wanted to use the title of the book but Carreras did not. They brainstormed titles and came up with Blood from the Mummy's Tomb which Wicking thought they would never use but they did. The job of directing went to Seth Holt, whose films were admired by producer Howard Brandy. Holt had a strong critical reputation for making such films as The Nanny but had not made a movie in two years. As Holt said in 1971: "I haven't been directing because I haven't been offered anything to direct".

Brandy later claimed Wicking's script was "unshootable" and that Holt constantly rewrote it. He also says he and Holt wanted to cast Amy Grant in the lead but Sir James Carreras insisted on Valerie Leon. Peter Cushing was cast in the film and completed one day's filming before leaving the production after his wife was diagnosed with emphysema.

Mr. Cushing was replaced by Andrew Keir. Director Seth Holt died of a heart attack five weeks into the six-week shoot, collapsing into cast member Aubrey Morris's arms and dying on set. Michael Carreras asked Don Sharp to take over but the director was unable to as he had signed to direct a film in Israel for the producer of Puppet on a Chain (this film was ultimately not made).

AllMovie's review of the film was favorable, commending its "glamorous style" and "creepy atmosphere".

Empire magazine gave it 3 out of 5.

The New York Times called it "tremendous fun, skillful and wonderfully energetic". Variety called it "polished and well-acted but rather tame".

Product Enquiry

Kodak Professional Endura Paper

Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.

Archival Matte Paper

Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.

Giclee William Turner Paper by Hahnemühle

The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.

  • Giclee prints use very expensive archival pigmented inks.
  • Highest level of color gamut available in printing (12 color printing).
  • Exceptional black & white printing.
  • Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
  • We ONLY use professional grade fine art and photo paper that resist yellowing and aging.

Framing

We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.

Matting

We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.

Glazing (Acrylic Glass)

We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.

Premium Clear

Framing grade clear acrylic is shatter resistant and lightweight.

Reflection Control

With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.

Conservation Clear

Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.

Conservation Reflection Control

Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.

Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.