Christopher Lee – Taste the Blood of Dracula (1970) Red-Eyed Fanged Count Dracula Extreme Close-Up Hammer Horror Photo

Limited Edition Photograph (learn more)

In stock

Choose Print Size *

Want it framed?

Select your desired frame, matte, and plexiglass.

Order total:

Christopher Lee as Count Dracula fills virtually the entire frame in this ferocious color close-up from Taste the Blood of Dracula (1970), his blood-red eyes, exposed fangs and blood-marked mouth confronting the viewer with almost no visual escape. Lee’s deeply furrowed brow and predatory expression strip away the Count’s aristocratic restraint, creating an uncompromising image of Hammer Horror’s legendary vampire at his most savage.

The photograph is especially powerful because of its extreme proximity. Dracula’s face becomes the entire composition, with the viewer drawn immediately to Lee’s crimson eyes, clenched expression and fully exposed vampire teeth. The softly blurred background removes almost every distraction, intensifying the sensation that the Count is staring directly outward from the image.

Released in 1970, Taste the Blood of Dracula continued Hammer Film Productions’ celebrated Dracula cycle with Christopher Lee once again portraying the role that had become inseparable from his international screen identity. The film presents Dracula as both supernatural predator and calculated avenger, using the weaknesses of respectable Victorian society against those responsible for the death of his disciple.

The story begins after Dracula’s destruction, when three outwardly respectable gentlemen become involved with the mysterious Lord Courtley and participate in a forbidden ritual intended to summon the Count. When Courtley is killed, Dracula returns and seeks revenge by turning the men’s own children against them.

Directed by Peter Sasdy, Taste the Blood of Dracula stars Christopher Lee alongside Geoffrey Keen, Gwen Watford, Linda Hayden, Peter Sallis, Anthony Corlan and Ralph Bates as Lord Courtley. The film combines Hammer’s richly colored Gothic atmosphere with darker themes of hypocrisy, corruption, generational conflict and revenge.

Christopher Lee’s physical presence is central to the film’s impact. His Dracula can shift from rigid aristocratic control to explosive violence with extraordinary speed. This photograph captures the latter quality at its most concentrated, reducing the character to fangs, crimson eyes, pallid skin and murderous intensity.

The color photography heightens that effect. Dracula’s red eyes and blood-marked mouth stand out dramatically against Lee’s pale complexion, dark clothing and muted background, allowing the face itself to become a complete visual expression of vampirism. Few props or environmental details are required because Lee’s unmistakable features carry the full weight of the image.

Carefully restored from archival source material and professionally lab-developed, this museum-quality photograph is presented uncropped, preserving the complete image area contained in the archival source. Meticulous restoration recovers natural color balance, facial detail, skin texture, eye color, blood detail and photographic clarity while retaining the visceral character of the original color image.

For collectors of Christopher Lee, Count Dracula and Taste the Blood of Dracula, this is an exceptionally powerful piece of Hammer Horror imagery—an extreme vampire close-up in which Lee’s blood-red eyes, fully exposed fangs, blood-marked mouth, furrowed brow and direct predatory stare reduce Dracula to pure supernatural menace, making it especially desirable for collectors of Hammer Films, British Gothic horror, vampire cinema and classic Christopher Lee photography.

Product Enquiry

Kodak Professional Endura Paper

Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.

Archival Matte Paper

Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.

Giclee William Turner Paper by Hahnemühle

The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.

  • Giclee prints use very expensive archival pigmented inks.
  • Highest level of color gamut available in printing (12 color printing).
  • Exceptional black & white printing.
  • Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
  • We ONLY use professional grade fine art and photo paper that resist yellowing and aging.

Framing

We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.

Matting

We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.

Glazing (Acrylic Glass)

We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.

Premium Clear

Framing grade clear acrylic is shatter resistant and lightweight.

Reflection Control

With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.

Conservation Clear

Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.

Conservation Reflection Control

Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.

Sean Connery Framed on Wall
Photo Developing
Archival Framing Technicians
Archival Photo Technicians
Archival Framing Technicians
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.