Claudine Auger – Thunderball (1965) Domino Derval VOIT Scuba Gear Striped Bikini James Bond 007 Publicity Photo
Limited Edition Photograph (learn more)
In stock
Claudine Auger as Domino Derval combines classic Bond glamour with specialized underwater equipment in this striking color publicity photograph associated with Thunderball (1965), posing against a brilliant golden-yellow studio background in her distinctive black-and-white striped bikini and VOIT scuba gear. With a diving mask raised above her forehead, snorkel arranged around her shoulders and an elegant full-length stance, the image creates an unusual fusion of James Bond 007 glamour, underwater adventure and 1960s promotional photography.
The photograph is immediately recognizable as part of the visual world surrounding Thunderball, a film in which diving equipment, tropical waters and underwater action became central to the Bond image. Rather than photographing Auger in the sea, however, this composition brings those elements into a highly controlled studio environment, turning functional scuba equipment into part of a polished glamour portrait.
Auger’s pose is especially effective. Standing with one hand resting at her hip and the other near the scuba equipment, she maintains the poised confidence associated with Domino Derval while allowing the diving mask, snorkel and striped bikini to become clear identifying elements. The result is both fashion-oriented and unmistakably connected to the film’s aquatic identity.
Released in 1965, Thunderball was the fourth film in EON Productions’ James Bond series and returned Sean Connery as Agent 007. Claudine Auger stars as Domino, whose relationship with SPECTRE operative Emilio Largo places her at the center of Bond’s mission to recover two stolen nuclear weapons and prevent an international catastrophe.
Directed by Terence Young, Thunderball also stars Adolfo Celi as Emilio Largo, Luciana Paluzzi as Fiona Volpe, Rik Van Nutter as Felix Leiter and Bernard Lee as M. Extensive filming in Nassau and the Bahamas gave the production its celebrated combination of yachts, beaches, diving sequences and large-scale underwater action.
The scuba equipment is what makes this photograph particularly distinctive within the larger body of Claudine Auger publicity imagery. Her diving mask and snorkel directly evoke the film’s technological and underwater themes, while the black-and-white striped bikini and saturated yellow background preserve the sophisticated glamour expected of a major Bond publicity campaign.
The brilliant studio color also gives the image exceptional display impact. Auger’s dark hair and monochrome swimwear stand sharply against the uninterrupted golden-yellow field, allowing the details of the equipment and her full-length pose to remain immediately readable. The composition has the clean graphic quality of mid-1960s fashion and advertising photography while remaining firmly rooted in the world of James Bond.
Carefully restored from archival source material and professionally lab-developed, this museum-quality photograph is presented uncropped, preserving the complete image area contained in the archival source. Meticulous restoration recovers natural skin tones, swimsuit pattern detail, scuba equipment definition, facial clarity and rich color balance while retaining the polished character of the original publicity image.
For collectors of Claudine Auger, Domino Derval and Thunderball, this is an especially distinctive piece of James Bond 007 publicity imagery—a rare combination of Auger’s striped bikini, VOIT scuba equipment, diving mask, snorkel and brilliant yellow studio backdrop that brings together the glamour and underwater spectacle defining the film, making it particularly desirable for collectors of Bond Girls, Sean Connery-era James Bond, scuba and diving imagery, 1960s publicity photography and classic spy cinema.
Product Enquiry
Kodak Professional Endura Paper
Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.
Archival Matte Paper
Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.
Giclee William Turner Paper by Hahnemühle
The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.
- Giclee prints use very expensive archival pigmented inks.
- Highest level of color gamut available in printing (12 color printing).
- Exceptional black & white printing.
- Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
- We ONLY use professional grade fine art and photo paper that resist yellowing and aging.
Framing
We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.
Matting
We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.
Glazing (Acrylic Glass)
We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.
Premium Clear
Framing grade clear acrylic is shatter resistant and lightweight.
Reflection Control
With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.
Conservation Clear
Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.
Conservation Reflection Control
Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.












