June Palmer Taste the Blood of Dracula (1970) Bordello Prostitute Hammer Glamour Publicity Photograph

Limited Edition Photograph (learn more)

In stock

Choose Print Size *

Want it framed?

Select your desired frame, matte, and plexiglass.

Order total:

JUNE PALMER appears in this vivid color glamour publicity photograph associated with Hammer Film Productions’ Taste the Blood of Dracula (1970), posed in a revealing deep red costume against a richly draped gold backdrop that immediately evokes the decadent atmosphere of the film’s bordello setting. Leaning across an ornate chair with a playful, knowing expression, Palmer is presented in a composition that combines theatrical costume styling, strong color contrast and period studio glamour. The result is a memorable publicity image that captures both the sensual visual appeal and the carefully designed Gothic world that helped define Hammer Horror at the turn of the 1970s.

This photograph is especially appealing because it preserves an important side of Hammer’s promotional identity. Beyond the monsters, blood and Gothic sets, the studio also relied on striking publicity photography to communicate mood, atmosphere and star presence. Here, Palmer’s costume, pose and expression work together with the warm gold curtain backdrop to create an image that feels fully connected to the decadent Victorian underworld suggested in the film. Rather than a conventional scene still, it functions as a stylized piece of Hammer Glamour, designed to be eye-catching, theatrical and instantly collectible.

For collectors seeking June Palmer Taste the Blood of Dracula 1970 material, the photograph offers more than visual appeal alone. It also reflects the way Hammer blended horror, erotic tension and lush production design into a distinctive screen style. Palmer became known in Britain for glamour modelling, film and television appearances, making her a particularly interesting presence within Hammer’s world. Her association with this title adds another layer of collector interest, especially for those drawn to the broader visual culture surrounding classic British horror cinema.

Released in 1970, Taste the Blood of Dracula continued Hammer Film Productions’ long-running Dracula cycle with Christopher Lee once again returning as Count Dracula. Directed by Peter Sasdy, the film also stars Geoffrey Keen, Gwen Watford, Linda Hayden, Peter Sallis, Anthony Corlan, Isla Blair and Ralph Bates as Lord Courtley. The film begins when three outwardly respectable Victorian gentlemen become involved with Courtley and a dangerous ritual intended to revive Dracula. Their actions unleash a chain of revenge in which Dracula uses their own families against them.

The picture remains notable for its darker social tone, using themes of hypocrisy, repression, temptation and moral corruption to deepen its Gothic horror framework. It is also one of Hammer’s most visually attractive Dracula films, making especially effective use of rich color, candlelit interiors, period costume and carefully designed set pieces. Photographs like this help document that visual identity from a promotional perspective, preserving the way the studio presented the film’s atmosphere beyond the narrative itself.

June Palmer’s image here stands as a strong example of that approach. The deep red costume connects beautifully with the heightened color style that became central to late Hammer productions, while the confident pose and direct expression give the photograph an immediacy that goes beyond ordinary publicity material. It is both a period glamour portrait and a valuable piece of film-related ephemera tied to one of Hammer’s most recognizable Dracula titles.

Carefully restored from historic photographic source material and professionally lab-developed, this museum-quality photograph is presented uncropped, preserving the complete image area contained in the source. Restoration recovers natural color balance, facial detail, costume texture, fabric detail and original photographic clarity while maintaining the character and tonal quality of the historic color image. The finished photograph contains no AI-generated image content.

A highly desirable piece for collectors of June Palmer, Hammer Films, Christopher Lee’s Dracula cycle, British Gothic horror and vintage cinema glamour photography, this image captures the lush, decadent promotional style that made Hammer’s horror world so visually unforgettable.

Product Enquiry

Kodak Professional Endura Paper

Kodak Endura papers provide an incredible amount of detail and smooth transition of tones. Designed for the professional photographer in mind, looking for a more traditional photo print style, Kodak Endura provides an extended print life and color gamut almost at the level of a high end fine art paper print.

Archival Matte Paper

Archival Matte Paper, also known as Moab Lasal Photo Matte, is our house stock fine art paper and is an economical favorite for fine art reproductions and photo prints. It features a smooth surface, heavy weight (230 g, 9.5-mil), neutral white, matte paper engineered for accurate color reproduction that provides high contrast and high-resolution output. This paper is acid-free, making it the perfect choice for both photography & fine art reproductions.

Giclee William Turner Paper by Hahnemühle

The William Turner by Hahnemühle is one of the most popular papers used in the Giclee printing industry. This is a 310g natural white mould made natural line paper with 100% rag content making it highly archival. It has a slight coarse texture which gives photos and artwork an elegant look. These fine art paper prints (also known as Giclee) are ordered by galleries, individual artists and photographers. The papers and inks are not only archival but use some of the most accurate print technology for full color prints.

  • Giclee prints use very expensive archival pigmented inks.
  • Highest level of color gamut available in printing (12 color printing).
  • Exceptional black & white printing.
  • Fade resistant, pigmented inks which provide a superior color range compared to other types of inks. Widely preferred in fine art and photography circles.
  • We ONLY use professional grade fine art and photo paper that resist yellowing and aging.

Framing

We offer wood and metal frames, custom cut & joined to order. Each framed print includes hanging hardware and foamcore backer.

Matting

We use conservation grade 100% virgin alpha-cellulose 2 ply mats with white core. Acid-free and lignin-free, these are both face resistant and meet all conservation quality standards set by the Fine Art Trade Guild. Mats are digitally cut for ultimate precision. The window will be 1/8″ smaller than the print dimensions.

Glazing (Acrylic Glass)

We offer custom cut panes of shatter-proof, acrylic glass, to protect your valuable artwork and prints.

Premium Clear

Framing grade clear acrylic is shatter resistant and lightweight.

Reflection Control

With its matte finish, Tru Vue Reflection Control® Acrylic scatters light to diminish unwanted glare.

Conservation Clear

Tru Vue Conservation Clear® Acrylic is a framing industry staple, blocking up to 99% of UV rays for ultimate protection.

Conservation Reflection Control

Tru Vue Conservation Reflection Control® Acrylic scatters and diffuses light to reduce unwanted glare. Blocks up to 99% of UV rays.

Sean Connery Framed on Wall
Photo Developing
Archival Framing Technicians
Archival Photo Technicians
Archival Framing Technicians
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.
Take 10% Off Your First Order!
Join our email list for new arrivals, weekly updates and subscriber-only offers.