Peter Cushing & Susan Denberg – Frankenstein Created Woman (1967) Bandage Bikini Laboratory Hammer Publicity Photo
Limited Edition Photograph (learn more)
In stock
PETER CUSHING and SUSAN DENBERG appear together in this striking color Hammer publicity photograph created for Frankenstein Created Woman (1967), with Cushing posed as Baron Victor Frankenstein and Denberg presented as Christina in the film’s laboratory setting. Denberg stands in the center of the composition wearing the revealing bandage-style bikini associated with Hammer’s publicity campaign, with her wrists restrained by metal cuffs and chains, while Cushing works at one of the restraints beside her. Behind them, gauges, wires, chains, machinery and laboratory apparatus fill the background, giving the image a strong connection to Hammer’s familiar Frankenstein iconography.
The FOCUS of the photograph is the contrast between Cushing’s composed scientific authority and Denberg’s highly stylized promotional presentation. The image was designed as publicity material rather than as a frame from the finished film, making it especially appealing to collectors interested in Hammer’s original marketing imagery. For buyers searching for Peter Cushing Susan Denberg Frankenstein Created Woman 1967, this is a memorable example of the studio’s combination of Gothic horror, laboratory spectacle and 1960s glamour promotion.
Directed by Terence Fisher for Hammer Film Productions, Frankenstein Created Woman stars Peter Cushing as Baron Victor Frankenstein and Susan Denberg as Christina, with Thorley Walters and Robert Morris. The film is the fourth entry in Hammer’s Frankenstein series and was produced at Bray Studios in 1966 for release in 1967. In the story, Frankenstein restores Christina after tragedy and transfers Hans’s soul into her body, giving the film one of the most unusual concepts in the Hammer Frankenstein cycle.
This publicity image, however, belongs to the film’s promotion rather than its narrative action. Hammer widely emphasized Denberg’s glamour appeal in advertising and still photography, and this laboratory pose became part of that campaign even though it does not represent a scene from the completed picture. That distinction gives the photograph added collector value as an authentic record of how Hammer chose to market the film during its original release period.
Carefully restored from historic photographic source material and professionally lab-developed, this museum-quality photograph is presented uncropped, preserving the complete image area contained in the source. Restoration recovers facial detail, hair texture, skin tones, laboratory machinery, metal restraints and the rich color character of the original historic photograph. The finished photograph contains no AI-generated image content.
A bold and highly recognizable piece of Hammer publicity, this photograph offers collectors an eye-catching combination of Peter Cushing, Susan Denberg, Frankenstein laboratory imagery and 1960s Hammer glamour.
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